Showing posts with label typography. Show all posts
Showing posts with label typography. Show all posts

Tuesday, July 8, 2008

Hilarity + Sweet Design = Great Book!


Check out this awesome find I spotted at Barnes and Noble last night. Were You Raised by Wolves: Clues to the Mysteries of Adulthood, by Christie Mellor is hilarious (not to mention incredibly well-written, full of experimental typography and hand lettering, brimming with fun line-work illustration, and is all wrapped up in a simple, flat-outcool color palette. Take it as a dose of mid-afternoon "I'm tired of working and I wanna go to happy hour" inspiration.


Browse Inside this book
Get this for your site


Oh, and also take a peek at Christie's blog on Mommytrackd.com. Christie's attitude surrounding motherhood is totally the type of mom-'tude that I want to have someday!

Friday, May 30, 2008

Fun for Type Nerds

Bembo's Zoo <--------click

Monday, October 29, 2007

Pierced ears, Barbies & Marian Bantjes


Mornin' all -- I am cleaning my office today. Woohoo! For any of you who have seen my office, you realize what an amazing feat it will be to finally have it clean. I usually thrive in the chaos of my unclean (though remarkably organized) office, but recently people have been walking by and looking through my open door with terrified looks on their faces. So, I think it's time.... I thought today I would go through my notes, to-dos, and ideas from the last few conferences and events I have been to and somehow make sense of them all so they don't get lost in the clutter. In the last hour, I haven't gotten very far...

As a child, my room was always messy. The rule in my family was that we had to keep our rooms clean for six weeks before we could get our ears pierced (I have three sisters, so all of us went through this ordeal at some point during our 'tween years). Anyway, I would spend hours cleaning my room -- not because I was OCD or because I was a neat freak, but because I am easily distracted. I would start "cleaning" my Barbie dreamhouse, only to find that three hours later, I had made no progress on my room, but WOW! Barbie and Skipper sure had beautiful outfits and hair-dos!

In my adult life, I find the same thing happening during my everyday activities. I find things that distract me and pull me away from my main goal of a clean office, a clean house, a trip to the store, my morning workouts at the gym. I have realized that these "distractions" aren't always bad, and certainly my distraction today isn't: Marian Bantjes.

During her presentation during the AIGA: Next conference in Denver earlier this month, Marian spoke about "unexpected nextness" which she described as "unforseen events, chance encounters, unimagined, unarranged nextness." I took a million notes in my little notebook during that conference, but as Marian's story unfolded, I scribbled as fast as I ever have to get her amazing story down.

Marian talked about the artistic influences in her life, and about how along the way, she didn't even realize the impact of these influences. Had she selectively ignored certain influences? Was her past influencing her present or was her present influencing what she selected to remember from the past? Marian started her career in design as a typesetter for a publishing company after seeing an advertisement for "help needed" in a local coffeeshop. She was not classically trained as a designer, but interviewed for the job anyway, and got it. She worked in that job for several years, and then opened a design firm, and spent several years developing logos, identity systems, brochures, and direct mail collateral. She began to think about what she really loved to do, which was hand lettering and typography. Marian gave herself one year to do what she loved, and made no money. So, she took out a loan, kept working, and gave herself six months --

her design career took off.

Marian's story is as beautiful as her work. It's about risk and the unexpected nextness of life. She revealed to the audience that she is still worried about what's next for her as a designer. She is worried that her work will eventually lose it's uniqueness. She knows that she'll have to take another creative risk, not knowing how things will turn out. But, she also knows that her quest for "next" distracts her from the "now."

I have spent the last thirty minutes of my office-cleaning endeavor deciphering my scribbled handwriting to find a small bit of inspiration to get me back to work: at the end of her presentation (following some slides of her amazing work-see below), Marian advised, "We must find the balance between constructing our future and accepting that we cannot construct it." You never know what might be next for you, so live in the now and the next will follow.






Click images to enlarge -- amazing!

Monday, August 27, 2007

New York Type Directors Club :: Hallmark Displays Traveling Exhibit

The Type Directors Club is an international organization founded in 1946. Members of this group include design professionals, typographic designers, and typophiles. Each year, the TDC has a competition. 2007 marked the TDC's tenth open Call for Entries for Type Design. All entries were judged by a panel of distinguished designers in January 2007.

Winning works are currently being exhibited in six traveling shows and will soon be published in Typography 28, the hardbound, all-color competition annual designed by Number Seventeen. The annual is published by CollinsDesign and is sold worldwide. We are fortunate enough to have the winning entries on display in the Creative Division Gallery (employees only) at Hallmark. Below are some of my favorites from the show. Enjoy!

Poster designed by Hallmark


Crane letterpress paper


Design :: Jonathan Nicol, Montreal, Canada
Client :: Zero Hertz


Designer :: coming soon!
Client :: coming soon!


Design :: Jed and Jennifer Heuer
Letterpress :: Abbey Kuster-Prokell


Designers :: Brady Vest and Matt McNary, Hammerpress, Kansas City, MO
Clients :: Houlihan's :: pipeline productions :: Jay Doc Health Clinic


Designers :: Nadine Fliegen, Silke Lohmann, Anne Schmidt & Rene Wynands, Bochum, Germany
Client :: Rheinisches Industriemuseum (LVR)


Design :: Katrin Adamaszek, Hamburg, Germany


Design :: Stephanie Yung, Toronto, Canada
Client :: Canadian Film Centre


Designers :: coming soon!
Clients :: coming soon!


Design :: Hans Seeger
Client :: Barbara Morgenstern


Saturday, July 21, 2007

Hermann Zapf - Part 2

Yesterday afternoon was crazy-busy, but now I have a few minutes to tell an unbelieveable story that I learned yesterday. Here we go!

You know how sometimes a day can be SO busy, and you'd rather just skip your class or meeting instead of taking time away from your "important work" to go? This happened to me yesterday. I was working on a few things that were due before I left work for the weekend -- I had two hours to get them done and it was not going well. I became even more frustrated when my calendar pinged me to tell me I had a meeting in 15 minutes. At 3PM on a Friday?! I begrudgingly grabbed my notebook and headed to the meeting, which was held in one of Hallmark's many gallery spaces.

My office is near this gallery, so I had already walked through the exhibit several times, but my manager had scheduled a tour of this exhibit for our team with one of the people in charge of this month's theme - typography. Now, as a designer myself, I was thinking, typography... yes, I am a designer, I know about typography...I sighed as I started to write a list of "to dos" for the rest of my day. A few minutes later, myself and one of my coworkers greeted our tour guide as he came in: Rick, a member of the Font Development Group at Hallmark.

Ok, focus... Get to Hermann Zapf, Erin!

Rick started by giving a brief history of typography at Hallmark: The Font Development Group started in the early 60s and at that time was called the Alphabet Design Group. Of course, back then, there were no G5 Macs and no Adobe CS3, so the group was working the old-school way. Rick went on to say that in the mid-sixties, Hermann Zapf became a consultant to the Alphabet Design Group at Hallmark ---- ERRRRRTTT! [insert record scratch here] ---- Hold up Rick, HERMANN ZAPF, the Hermann Zapf (the one I learned about in my History of Graphic Design class? the same Hermann Zapf that I wrote a paper about and designed a typographic book and poster series after?), was a consultant at Hallmark? You mean, he was here , in this building, hanging out and talking about type??

I was stunned. Rick went on to talk about how Mr. Zapf wrote a book specifically for Hallmark that has never been published (it is currently housed in Hallmark's Archive Collection), and also filmed a short instructional video for Hallmark that includes some of his personal tips & tricks and design philosophies. Rick himself is also a close friend to the Zapfs, Hermann and his wife Gudrun Zapf von Hesse. He has even been to their house in Germany and has been to Hermann's personal studio in his home (a small room just off of his personal typography library , hidden behind a door in the living room). Note: I'm sure my mouth was hanging open at this point.

I began to browse the gallery exhibit with new found energy and perspective. Browsing the beautiful hand-lettered prints and various handwriting style sheets that the font group was gradually turning into fonts for our proprietary collection (adding to our already 500+ fonts in the proprietary collection), I became humbled. First, I was humbled by the skill and creativity of our font group - knowing that I myself lacked the technique and the drive to do what they do. And second, I was humbled by my own attitude toward the meeting itself and how I had almost skipped it. I had learned so much in that 30-minute meeting: I learned about the innovative ideas and the huge strides happening in the typography group at Hallmark; I met and learned about Rick, a long-time Hallmarker who is humble, always learning, and incredibly talented; learned a little-known fact about Hermann Zapf and Hallmark...

And, probably the biggest thing I learned, is that you never know who you are going to meet and when and what you might learn from them. There is no way to tell how that person will inspire you, and what effect that will have on who you are now and who you will become. I returned to the pile of work in my office with new eyes and a fresh mind -- And I finished it all in time to head home for the weekend.



[Right: typographic designs/fonts created by Hermann Zapf. I took the photos shown in this post during my visit to the Bodoni Museum in Parma, Italy in 2003. The trip to the museum was part of the Iowa State University College of Design semester abroad program to Rome, Italy]

Friday, July 20, 2007

Hermann Zapf - Part 1

AWESOME story about this incredible typographer coming SOON -- stay tuned!